Quicksilver movie poster photo

Not to be confused with .

2015 superhero film produced by Marvel Studios

Avengers: Age of Ultron is a 2015 American based on the superhero team the , produced by and distributed by . It is the sequel to 2012's and in the (MCU). The film was written and directed by and features an that includes , , , , , , , , , , , , , , , , and . In the film, the Avengers fight , an obsessed with causing .

The sequel was announced in May 2012, after the successful release of The Avengers. Whedon, the director of the first film, was brought back on board in August and a release date was set. By April 2013, Whedon had completed a draft of the script, and casting began in June with the re-signing of Downey. filming began in February 2014 in with taking place between March and August 2014. The film was primarily shot at in , , with additional footage filmed in , , , , and various locations around England. While in , the film was converted to and over 3,000 shots were added. With an estimated net production budget of 5 million, it is the .

Avengers: Age of Ultron premiered in Los Angeles on April 13, 2015, and was released on May 1, 2015, in the United States, in 3D and . The film received generally positive reviews from critics and grossed over .4 billion worldwide, becoming the as well as the . A sequel, , was released on April 27, 2018, and is scheduled for release on May 3, 2019.

Contents

Plot

In the country of Sokovia, the —, , , , , and —raid a facility commanded by Baron , who has been experimenting on humans using the scepter previously wielded by . They encounter two of Strucker's test subjects—twins , who has superhuman speed, and , who has telepathic and telekinetic abilities—and apprehend Strucker, while Stark retrieves Loki's scepter.

Stark and Banner discover an within the , and secretly decide to use it to complete Stark's "" global defense program. The unexpectedly sentient Ultron, believing he must eradicate humanity to save Earth, eliminates Stark's A.I. and attacks the Avengers at . Escaping with the scepter, Ultron uses the resources in Strucker's Sokovia base to upgrade his rudimentary body and build an army of robot drones. Having killed Strucker, he recruits the Maximoffs, who hold Stark responsible for their parents' deaths by his company's weapons, and goes to the base of arms dealer to obtain . The Avengers attack Ultron and the Maximoffs, but Wanda subdues them with haunting visions, causing the Hulk (Banner) to rampage until Stark stops him with his anti-Hulk armor.

A worldwide backlash over the resulting destruction, and the fears Wanda's hallucinations incited, send the team into hiding at a safe house. Thor departs to consult with Dr. on the apocalyptic future he saw in his hallucination, while arrives and encourages the team to form a plan to stop Ultron. In , Ultron forces the team's friend Dr. Helen Cho, who is enslaved by Loki's scepter, to use her synthetic-tissue technology, together with vibranium and the scepter's gem, to perfect a new body for him. As Ultron uploads himself into the body, Wanda is able to read his mind; discovering his plan for human extinction, the Maximoffs turn against Ultron. Rogers, Romanoff, and Barton find Ultron and retrieve the synthetic body, but Ultron captures Romanoff.

The Avengers fight amongst themselves when Stark secretly uploads J.A.R.V.I.S.—who is still operational after hiding from Ultron inside the Internet—into the synthetic body. Thor returns to help activate the body, explaining that the gem on its brow—one of the six , the most powerful objects in existence—was part of his vision. This "" and the Maximoffs accompany the Avengers to Sokovia, where Ultron has used the remaining vibranium to build a machine to lift a large part of the capital city skyward, intending to crash it into the ground to cause global extinction. Banner rescues Romanoff, who awakens the Hulk for the battle. The Avengers fight Ultron's army while Fury arrives in a with , and agents to evacuate civilians. Pietro dies when he shields Barton from gunfire, and a vengeful Wanda abandons her post to destroy Ultron's primary body, which allows one of his drones to activate the machine. The city plummets, but Stark and Thor overload the machine and shatter the landmass. In the aftermath, the Hulk, unwilling to endanger Romanoff by being with her, departs in a , while the Vision confronts and seemingly destroys Ultron's last remaining body.

Later, with the Avengers having established a new base run by Fury, Hill, Cho, and Selvig, Thor returns to to learn more about the forces he suspects have manipulated recent events. As Stark leaves and Barton retires, Rogers and Romanoff prepare to train new Avengers: Rhodes, the Vision, , and Wanda.

In a , , dissatisfied by the failures of his pawns, dons a gauntlet and vows to retrieve the Infinity Stones himself.

Cast

  • as :
    The of the , who is a self-described genius, billionaire, playboy, and philanthropist with of his own invention. On how his character evolves after the events of , Downey said, "I think he realizes that tweaking and making all the suits in the world—which is what he has been doing—still didn't work for that thing of his tour of duty that left him a little . So his focus is more on how can we make it so that there's no problem to begin with. That, you know, there's a bouncer at our planet's rope. That's the big idea."
  • as :
    An Avenger and the of , based on the deity of the . Regarding Thor's place in the film, Hemsworth stated that as Thor has remained on Earth since , and has begun to feel at home here, he considers Ultron's threat a personal attack. Hemsworth stated that he had to work harder to bring new elements to the character to avoid repeating himself saying, "It gave us room to kind of make him a little more grounded and human and have him in some civilian clothes and mixing it up at a party." Hemsworth noted that Thor's motivations in this film were completely different, as it was the first MCU film where he did not play against 's character of .
  • as :
    An Avenger and a genius scientist who, because of exposure to , transforms into a monster when enraged or agitated. To prepare for the role, Ruffalo worked with performer ' . He stated that his character had grown since the previous film and was "a bit more complex". Ruffalo explained that a confrontation is brewing between Banner and the Hulk saying, "There's a very cool thing happening: Hulk is as afraid of Banner as Banner is afraid of Hulk.. and they have got to come to peace somehow with each other." While filming in , Ruffalo said that Whedon still had not given him any of the Hulk's lines. Whedon later explained that he writes the Hulk's dialogue spontaneously, saying, "What makes the Hulk so hard to write is that you're pretending he's a werewolf when he's a superhero. You want it vice versa... So the question is, how has he progressed? How can we bring changes on what the Hulk does? And that's not just in the screenplay, that's moment to moment."
  • as :
    The leader of the Avengers and a veteran, who was enhanced to the peak of human physicality by an experimental serum and frozen in suspended animation before waking up in the modern world. Evans stated that since the fall of in , Rogers has been left to depend on his Avenger teammates without the structure of military life and is now "looking to understand where he belongs, not just as a soldier, as Captain America, but as Steve Rogers, as a person." Evans said that he was able to maintain the strength he built up for Captain America: The Winter Soldier by working out up to an hour a day. Regarding Captain America's fighting style, Evans felt he did not want to take a step back from the skills shown in The Winter Soldier, making sure Rogers' fight style advanced, showing "a consistent display of strength" and having Rogers utilizing his environment.
  • as :
    An Avenger who formerly worked for S.H.I.E.L.D. as a highly trained spy. Producer stated that more of the character's backstory is explored in the film. Johansson elaborated, "In Avengers 2 we go back... we definitely learn more about Widow's backstory, and we get to find out how she became the person you see. All of these characters have deep, dark pasts, and I think that the past catches up to some of us a little bit." Regarding where the film picks up Widow's story, Johansson felt it was a continuation of what was seen for her character in The Winter Soldier, with the fact that "'[Widow] never made an active choice. [She's] a product of other people's imposition.' That's going to catch up with her. That's bound to have a huge effect. There's got to be a result of that realization... You'll see her actively making some choices in her life, for better or worse." A mixture of close-ups, concealing costumes, stunt doubles and visual effects were used to help hide Johansson's pregnancy during filming.
  • as :
    An Avenger and master who previously worked as an agent for S.H.I.E.L.D. Whedon said that Hawkeye interacts more with the other characters in the film, as opposed to the first film where the character had been "possessed pretty early by a bad guy and had to walk around all scowly." As the character did not appear in any other of Marvel's , Whedon stated Age of Ultron sheds light on to what the character was doing since the end of The Avengers. Renner described the character as "kind of a loner" and "a team player only 'cause he sort of has to be. He's not really a company man. Captain America can be that guy. In [Age of Ultron] you'll understand why [Hawkeye] thinks the way he thinks."
  • as : An officer in the and Tony Stark's close personal friend who operates the War Machine armor.
  • as :
    The twin brother of the Scarlet Witch, who can move at . Taylor-Johnson felt Pietro was defined by the fact that he and his sister were abandoned by their family, and they both had to grow up "in Eastern Europe defending and looking out for themselves and each other," that they both look to the other for guidance. Taylor-Johnson also said that Quicksilver was "very overprotective" of Scarlet Witch and has "real anger frustration", which results in him being easily bored because of a short attention span. Feige stated exploring Quicksilver's relationship with his sister and his backstory growing up in Eastern Europe would help differentiate the character from ' version in (2014). Taylor-Johnson stated that the running style for Quicksilver went through multiple iterations, saying, "The running style we tested early on was just very one-dimensional and boring to look at, but if you try to do free running, like parkour, then that's very much Captain America's style... You have to find your own place in the stunt world." Much of Taylor-Johnson's scenes were filmed outdoors to give "life" to his running, as opposed to running indoors in front of a green screen.
  • as :
    The twin sister of Quicksilver, who can engage in and . Olsen felt Wanda was "overly stimulated" rather than "mentally insane" because "she has such a vast amount of knowledge that she's unable to learn how to control it. No one taught her how to control it properly... she can connect to this world and parallel worlds at the same time, and parallel times." Describing her character's mind control powers, Olsen said that the character is able to do more than manipulating someone's mind, with Scarlet Witch able to "feel and see what they feel and see" by projecting visions that they have never seen. Olsen expanded saying, "What I love about her is that, in so many superhero films, emotions are kind of negated a bit, but for her everything that someone else could feel—like their weakest moments—she physically goes through that same experience with them, which is pretty cool." Olsen drew on her relationship with her older brother and her to prepare for the role, as well as looking to the comics for inspiration. Olsen revealed that Whedon was inspired by dancers as a way to visually represent how the character moves. As such, Olsen mostly trained with a dancer in lieu of traditional stunt training. Olsen is signed for this film and another.
  • as and :
    Bettany, who voiced J.A.R.V.I.S., Stark's companion in previous films, was cast again as the Vision, an created by Ultron. Bettany stated that he was surprised when Whedon asked him if he wanted to be the Vision because once an actor has been cast as a particular character in the MCU, they usually are not cast as another. On what intrigued him about the Vision, Bettany said, "The thing that appealed to me is that this sort of nascent creature being born, being both omnipotent and totally naive, the sort of danger of that and complex nature of a thing being born that is that powerful and that created in a second and the choices he makes morally are really complex and interesting. They've really managed to maintain all of that". Bettany also stated that the Vision feels paternal and protective to a number of people in the film, particularly Scarlet Witch, and has the ability to change his density. Bettany did wire work for the part. Whedon stated he wanted to include the Vision in a second Avengers film before he signed onto the first film. Bettany's make-up, which consisted of a mix of and prosthetics, took two hours to apply with make-up artists Jeremy Woodhead and Nik Williams citing the correct hue of the Vision's skin as the hardest thing to figure out.
  • as :
    A former high-ranking S.H.I.E.L.D. agent who now works for Stark. Describing Hill's situation in the film, Smulders said that after The Winter Soldier, Hill does not "really know who's a good guy and who's a bad guy and she's trying to figure out that throughout this film." She added, "She's not getting any sleep. She's doing all the work. She doesn't have the kind of manpower that she had in S.H.I.E.L.D.," instead working for Tony Stark at the Avenger's headquarters "trying to keep everything running as smoothly as possible... it's an entirely different vibe for her."
  • as :
    A former trained by the military in aerial combat using a specially designed wing pack and a friend of Steve Rogers. Discussing the relationship between Wilson and Rogers, Mackie said that the two characters have a mutual "soldier respect", which is explored in the film and in . Feige said that it was decided to reshoot the final scene of the film to incorporate the new Falcon suit designed for , which was released after Age of Ultron, as Falcon was originally shot in his original suit from The Winter Soldier. Mackie stated he did not realize Wilson had become an Avenger until he watched the film at the premiere, as he was only given the script for the scenes he worked on.
  • as : A retired officer with the Strategic Scientific Reserve and a co-founder of S.H.I.E.L.D., who is a former love interest of Steve Rogers.
  • as : The all-seeing, all-hearing Asgardian sentry of the , based on the mythological deity of the .
  • as :
    An astrophysicist and a friend of Thor. Skarsgård said he was originally not supposed to appear in the film, but received a call because "they'd written a couple of scenes, and I went and did them," not knowing if the scenes would appear in the final cut of the film.
  • as :
    An repurposed by Tony Stark and Bruce Banner for a pilot peace program that is overwhelmed with a , and now desires to pacify the Earth by eradicating humanity. Director Joss Whedon stated that Spader was his "first and only choice" for the role, because of his "hypnotic voice that can be eerily calm and compelling" while also being very human and humorous. Feige clarified that Spader's face and body were "to create a whole performance... We did not hire James Spader to do a robot voice." Extensive scans were taken of Spader's head and body in preparation for the role. About the character Whedon said, "He's always trying to destroy the Avengers, goddamn it, he's got a bee in his bonnet. He's not a happy guy, which means he's an interesting guy. He's got pain. And the way that manifests is not going to be standard robot stuff." Whedon added that Ultron is "not a creature of logic—he's a robot who's genuinely disturbed. We're finding out what makes him menacing and at the same time endearing and funny and strange and unexpected, and everything a robot never is." Whedon compared Ultron to , saying, "It's our new myth [...] We create something in our own image and the thing turns on us. It has that pain of 'Well, why was I made? I want to kill Daddy.'" Spader called the character "self-absorbed" and added, "I think he sees the Avengers as being part of a problem, a more comprehensive problem in the world. He sees the world from a very strange, [biblical] point of view because he's brand new, he's very young... He's immature, and yet has knowledge of comprehensive, broad history and precedent, and he has created in a very short period of time a rather skewed worldview." Spader elaborates, "He truly is an artificial intelligence with absolutely no censorship at all, no parameters really … he’s got too much power, too much strength and speed and size, so he’s a very dangerous child."
  • as :
    The former director of S.H.I.E.L.D. who originally recruited the Avengers and continues to be a mentor and leader for the team. Jackson described the role as a cameo, saying, "I'm just kind of passing by there ... Because, it's another one of those 'people who have powers fighting people who have powers'. That's why I didn't get to New York in The Avengers. There's not a lot I could do except shoot a gun."

and reprise their roles as Baron and Dr. List, leaders who specialize in human experimentation, advanced robotics, and artificial intelligence from . portrays , Hawkeye's wife, portrays , a world-renowned geneticist who helps the Avengers from her office in Seoul, portrays , a black-market arms dealer, smuggler and gangster who is a former acquaintance from Stark's weapons-dealing days, and appears as Madame B., who mentored Black Widow into becoming an assassin. voices the artificial intelligence , a replacement for J.A.R.V.I.S., while Spader also voices Stark's Iron Legion droids. makes an uncredited appearance during the mid-credits scene as , reprising his role from . Avengers co-creator makes a cameo appearance in the film as a military veteran who attends the Avengers' victory party. was to reprise his role of Loki, but his scenes did not make the theatrical cut of the film.

Production

Development

"I have to make my movie assuming that people will only have seen the first one, or possibly not even seen the first one. I can't assume that everybody went to see , , and in-between. I have to go from one movie to the next and be true to what's happened, but not be slavish to it ... The model I'm always trying to build from, my guiding star, is where a ton has happened in-between and it's a very different movie [from ], but you don't need any information: it's there in the film."

—Joss Whedon, director of Avengers: Age of Ultron, on balancing the film's accessibility and continuity.

In October 2011, , president of said the studio was beginning to look at their films, which would start with Iron Man 3 and would culminate in a second Avengers film. In March 2012, , director of , stated that he would want a sequel to be "smaller. More personal. More painful. By being the next thing that should happen to these characters, and not just a rehash of what seemed to work the first time. By having a theme that is completely fresh and organic to itself." Despite the production of the film becoming increasingly wider in scope, Feige maintained that this was not their intention, always looking to see where the team wanted to take the characters, over how to make it bigger than The Avengers.

At the premiere of The Avengers, Feige said the studio had an for Whedon to return as director. In May 2012, after the successful release of the first film, CEO announced a sequel was in development. Most of the film's cast members were under contract to potentially appear in the sequel; however, was not, as his four-picture deal with Marvel expired after Iron Man 3.

At the 2012 , Whedon said he was undecided about directing. However, in August 2012, Iger announced that Whedon would return to write and direct the sequel and develop the Marvel television series, , for . Later in the month, Disney set a May 1, 2015 release date. When asked about his decision to return, Whedon said, "Avengers 2, it wasn't a tough decision. For a long time I thought, 'Well, it's just not going to happen.' Then when I actually started to consider it, it became so clear that I desperately wanted to say more about these characters, it would've been an easy no and it was a spectacularly easy yes. There was no wrestling." Whedon said that they intended for the film's production to not be as rushed as the first one.

In December 2012, Whedon stated that he had completed an outline for the film. In February, at the 2013 , Whedon said that death would play a theme in the sequel, and in March, he said that he looked to and The Godfather Part II as inspirations.

Feige revealed that , who is scheduled to appear in her , appeared in an early draft of the screenplay, but was removed since the character had not yet been cast, saying, "It didn't feel like the time. We didn't want to introduce her fully formed flying in a costume before you knew who she was or how she came to be." Whedon went so far as to shoot visual effects plates for Captain Marvel to fly into Avengers Headquarters at the end of the film; those shots were reused, however, for Scarlet Witch instead. Feige also revealed that an early draft of the script had Hulk's Quinjet detected near Saturn at the end of the film, but it was finally decided to keep it Earth-based and leave his fate ambiguous in order to dispel rumors that a film based on the "" comic storyline was in development, which Marvel Studios had no plans to adapt at the time. Marvel would later decide to adapt "Planet Hulk" for the film , in which the Hulk does end up leaving Earth.

Pre-production

By April 2013, filming was scheduled to begin in early 2014 at in . At the Hollywood premiere of Iron Man 3, Whedon said that he had completed a draft of the script, started the process, and met with actors. Whedon also mentioned that he wrote with Downey in mind and included a "brother/sister act" from the comic books, later confirming that he was referring to and . Whedon explained his rationale for including the characters in the film saying, "their powers are very visually interesting. One of the problems I had on the first one was everybody basically had punchy powers … [Quicksilver]'s got super speed. [Scarlet Witch] can weave spells and a little telekinesis, get inside your head. There's good stuff that they can do that will help sort of keep it fresh," though cautioned he was not throwing in more characters for the sake of doing that. Whedon stated that the twins allowed him to add more conflict: "They don't like America, and they don't like the Avengers… The Avengers are like a world power, and not everybody's on board with the Avengers coming in and starting fights, even in the name of justice. So you need that dissenting voice, and you need to understand it and sympathize with it." Because Marvel Studios shares the film rights to Quicksilver and Scarlet Witch with and had to avoid conflict with Fox's , Whedon introduced two important characters into the Marvel Cinematic Universe completely on his terms for the first time, which allowed him to connect their origin stories to the universe that they created and avoid the concept of . Whedon relished at the storytelling opportunities by introducing a character with telepathic powers, explaining, "it meant we could spend a little time inside the Avengers' heads—either their past or their impressions of what's going on, or their fears, or all of the above." By May, Downey had entered negotiations to extend his contract with Marvel Studios and reprise his role as Iron Man in the film. A month later, Downey signed on to return for the then-untitled Avengers sequel, as well as a third Avengers film.

At the 2013 San Diego Comic-Con International, Whedon announced the film would be subtitled Age of Ultron. Despite the subtitle, the film is not based on the 2013 comic book miniseries . Feige explained that they simply liked the title Age of Ultron but the plot was taken from decades of Avengers story arcs. Whedon added that Ultron's origin would differ from his comics roots, and that would not be involved with Ultron's creation. Whedon disclosed that had rights to the character first through his inclusion in , which was already in development. He also thought that Ultron needed to be conceived through the Avengers and since they already had Tony Stark and Bruce Banner on the team, it would not make sense to bring in a third scientist. Whedon also said the film would have a darker tone due to Ultron's involvement.

The title of the film came as a surprise to many fans who were expecting , the mastermind behind the events of the first film, to be the main villain in the sequel, with Whedon saying, "Thanos was never meant to be the next villain. He's always been the overlord of villainy and darkness." Commenting on finding the right balance between technology- and fantasy-based heroes in Avengers: Age of Ultron, Feige said "Iron Man is a very technological hero; his movies are always technologically based. The first was all about introducing and Thor in that more fantastical realm into the more reality-based MCU… As we go into Ultron clearly he does come out of technology, but we're using all of our tools at our disposal that we've established so far as part of the MCU to build the storyline of Age of Ultron."

Casting continued into August 2013, with the announcement that would play Ultron. In November, Marvel confirmed that and would play the Scarlet Witch and Quicksilver, respectively. Taylor-Johnson had been in negotiations since as early as June, while Olsen's potential involvement was first reported in August. By the end of the year, ,,,,, and were confirmed to be returning to their roles from the first film, and , who portrayed in the Iron Man films, had committed to a part in the film. In the early months of 2014, was cast as Baron , was cast in an unspecified role, and , who voiced in previous MCU films, was cast as the Vision. Whedon said "juggling" all the characters in the film was "a nightmare" explaining, "They're very disparate characters. The joy of the Avengers is they really don't belong in the same room. It's not like the , who are all tortured by the same thing and have similar costumes. These guys are just all over the place. And so it's tough. Honestly, this is as tough as anything I've ever done."

On January 24, 2014, the Forte di Bard Association announced that filming would take place at in the region of in March 2014, as well as other locations in Aosta Valley including , , , , and . The next month, the Gauteng Film Commission announced that action sequences would be filmed in , and other locations in , beginning in mid-February. A few weeks later Marvel announced that portions of the film would be shot in . Feige cited the nation's "cutting-edge technology, beautiful landscapes and spectacular architecture" as ideal for the film. The nation's capital, , and Seoul's surrounding province, , were selected as filming locations, with South Korea's reimbursing up to 30% of the studio's expenditures, as part of a state-funded incentive program.

Filming

Members of the Korea Film Commission and executives from Marvel Studios signing a in Seoul in March 2014 with actress (center) in attendance

Filming began on Tuesday, February 11, 2014 in Johannesburg, South Africa, having been postponed that Monday. crews shot action sequences without the main cast, to be used as background plates for scenes featuring the Hulk, in the for a period of two weeks. By mid-March, had begun at Shepperton Studios near London and was scheduled to film there for at least four months, under the After Party. Filming at Shepperton as well as other locations in England allowed Whedon to get a "number of different looks and textures and moods" to give the film a different palette and fresh aesthetic from its predecessor. Production designer Charles Wood built an enormous, new set, one of the largest sets ever built for a Marvel film. The set featured multiple connected environments and levels. On March 22, production moved to Fort Bard, Italy and continued in the Aosta Valley region through March 28. The region doubled as the fictional Eastern European nation of Sokovia, with crews replacing local storefronts with . Filming in South Korea began on March 30 on the , and continued through April 14 at various locations in Seoul. While in Seoul, the production was able to attach cameras to drones and race cars to get unique camera angles and footage. An artificial island on the known as the served as the headquarters of an institute featured in the film. Scenes involving Ultron's attack on parts of the city were shot in the .

In April, shooting began in in , England, and , who played in previous MCU films, filmed scenes inside the in London while extras performed the . That June, scenes were shot at the in and at in , with Dover Castle used for interior shots of Strucker's Hydra base in Sokovia. The next month, filming took place at a for London's , which doubled as a city in Sokovia. Additional filming took place in , , including the , and in . On August 6, Whedon announced on social media that he had completed principal photography on Avengers: Age of Ultron. Disney spent 0.6 million on Avengers: Age of Ultron from February 2013 to November 2014, but .7 million of this was offset by payments from the UK tax authority. A report on actual production costs for films from FilmL.A. Inc., indicated a gross budget of 4 million, with a net of 5 million for Avengers: Age of Ultron. This makes the film the .

Cinematographer , who also worked with Marvel on , shot the film with a main unit of three cameras. Davis said, "Although the Alexa was Marvel's preferred camera, we weren't locked into that choice from the start. What wasn't negotiable was the fact that we were shooting digital: that's how Marvel shoots all of its films." Davis also used 's to meet the needs of the second unit kit explaining, "The second unit typically needs a fleet of smaller cameras that are less expensive and are rugged enough to handle the various trials by fire, as it were, that we throw at them." About the camera system, Whedon stated that this film was shot very differently from the first one; using lots of long lenses, and that he aimed to shoot the film almost like a documentary. To create the scenes depicting how Quicksilver views the world, scenes were shot with an ultra-high-speed camera and later combined with shots of Taylor-Johnson moving through the same scene at normal speed.

Post-production

The original shot (top) of the new Avengers training facility and the completed shot (bottom) with CG interiors added by

In June 2014, the announced that the IMAX release of the film would be converted to . Following the completion of principal photography several more cast members were revealed including ,,, and , reprising their roles from previous MCU films. However, Hiddleston's scenes did not make the theatrical cut of the film, with Whedon saying what was shot "didn't play" and he did not want the film to feel "overstuffed". According to Hiddleston, "In , audiences had overemphasized Loki's role, so they thought that because I was in it, I was controlling Ultron, and it was actually imbalancing people's expectations." Whedon later explained that Elba and Atwell appear in the film because of exploring the psyches of the Avengers from Scarlet Witch's power. In December 2014, Kim's role was revealed as Dr. Helen Cho. Additional scenes were scheduled to be filmed in January 2015 at . In February 2015, Marvel confirmed through promotional material that Serkis portrays in the film. In early April 2015, and were confirmed to be part of the film's cast. At the same time, Whedon stated that the film would not contain a , which had become customary for MCU films. Whedon tried to come up with a post-credit scene but felt that he could not top the "Shawarma scene" in The Avengers, explaining, "It didn't seem to lend itself in the same way, and we wanted to be true to what felt right. The first rule of making a sequel is take the best moments and do something else. Don't do the gun trick again differently. Just go somewhere else. Don't try to hit the same highs, because people will sense it." However, Feige clarified, "There will be a tag [shortly after the credits start]. But there's not a post–post–credit scene."

In May 2015, Whedon revealed he was in conflict with Marvel executives and the film's editors about certain scenes in the film. The executives were not "thrilled" with the scenes at Hawkeye's farm or the dream sequences the Avengers experience because of Scarlet Witch. Also, Whedon had originally shot a much longer scene with Thor and Selvig in the cave but the final version is shorter as test audiences did not respond well to the original cut. In the scene, Thor would be possessed by a , a goddess of destiny, while Selvig would quiz her about Thor's hallucination. Additionally, Whedon reiterated he had wanted to include Captain Marvel and at the end, but deals for each character (signing of an actress and a deal with , respectively) were not completed in time for their inclusion.

The film contains 3,000 visual effects shots, completed by ten different visual effects studios, including (ILM), Trixter, , , , Lola VFX, Territory, Perception, , and The Third Floor.[161] ILM opened a facility in London, citing Avengers: Age of Ultron as a catalyst for the expansion, and developed a new system for the film called Muse, which can better capture an actor's performance and combine different takes. About the motion capture process, Ruffalo called it "more of a collaboration" since the technology is advancing, with "the face capture and the motion capture can now [being] put together, [allowing] you [to] get a lot more latitude as a performer… you're no longer constricted by the attributes that you have as a person: your age, or weight, or size. None of that matters anymore. And so there's this whole exciting place to go that is kind of unknown." Visual effects supervisor said that the visual effects team considered depicting the Hulk when manipulated by Wanda Maximoff as being grey skinned with red eyes, but eventually decided against it, as they did not want to confuse audiences who might associate it with "Joe Fixit", the grey Hulk from the comics.

Method Studios created the interior of the new Avengers training facility by digitally designing the training facility, extracting the characters from the original set and placing them into the new CG environment. Method also contributed to Iron Man's new Mark 45 suit and played a key role in creating Scarlet Witch's CG mind control effect. Following the trend in recent years, most of the computer screens in Stark's lab, Dr Cho's laboratory, the Quinjet and other locations in the film were not added in post-production but were actually working screens on set, adding to the realism of the film and saving some on the post-production budget. London-based delivered the screen visuals filled with unique imagery and animations that matched the character using them. Perception worked on the main-on-end and main titles for the film. Before settling on the marble monument depiction for the main-on-end titles, Perception created three other versions, which were based on Ultron's hive mind ability from the film, "renderings of power and pure energy" inspired by classic comic panels, and classic moments for each character. The final design was inspired by war monuments such as the . For the main titles, Marvel wanted the typeface to be a direct continuation of the first film. Perception made the typeface a marble texture to mimic the main-on-end titles and changed the title's rotation (away from the camera instead of towards the camera in The Avengers), before "Age of Ultron" overtakes "Avengers" in a vibranium texture.

Music

Main article:

In March 2014, signed on to compose the , replacing the composer for the first film, , while also marking his third film collaboration with Marvel following Iron Man 3 and Thor: The Dark World in 2013. Tyler stated that the score pays homage to ' scores for , , and and references the scores for the Iron Man, Thor, and Captain America films in order to create a similar musical universe, saying, "That's the goal for sure. You have to build in nostalgia and do it upfront so you can relate to it." also contributed music to the score, using Silvestri's theme from the first film to create a new hybrid theme. released the album digitally on April 28, 2015, and in physical formats on May 19.

Release

Renner arriving at the world premiere of Avengers: Age of Ultron

Avengers: Age of Ultron made its world premiere at the in Hollywood on April 13, 2015, and held its European premiere on April 21 at the in London. The film was released in 11 territories on April 22, with its release jumping to 55% of its international market (44 countries) by the end of its first weekend, before releasing on May 1 in the United States, in 3D and IMAX 3D. In the United States, the film opened in 4,276 theaters, including 2,761 3D theaters, 364 IMAX, 400 premium large format, and 143 theaters. Many independent theater owners in Germany (approximately 700 screens) boycotted the film in response to Disney raising its rental fee from 47.7% to 53% of ticket sales. The owners felt that the "increased fees, coupled with the cost of digitization, and rising staff and marketing costs may force some of them out of business."

In September 2014, acquired the US cable broadcast rights, for broadcast two years after its theatrical release. On March 4, 2015, ticket pre-sales for the film began. noted, "The two-month gap between advance sales and the release is much wider than normal and reflects the heavy fan anticipation for" the film.

Marketing

At the 2013 San Diego Comic-Con International, Whedon introduced a for the film, which included a look at an Ultron helmet and a title treatment. Footage of the teaser, as well as a brief interview with Whedon, was made available as part of Iron Man 3's second screen companion app for its release on September 24, 2013. On March 18, 2014, ABC aired a one-hour titled, , which included a sneak peek of Avengers: Age of Ultron. The special debuted concept art for Quicksilver and Scarlet Witch, as well as art of the Hulk fighting the "" Iron Man suit. partnered with Marvel to provide their first electric motorcycle, Project LiveWire, for use by Black Widow in the film. At the 2014 San Diego Comic-Con, the cast was introduced to promote the film, along with screening footage from the film.Avengers: Age of Ultron received the second most amount of mentions at the convention, following , but had a higher intend-to-see response.

The first trailer was scheduled to premiere during the airing of an episode of Agents of S.H.I.E.L.D. on October 28, 2014. However, on October 22, the trailer leaked online, and within a few hours Marvel officially released the trailer on . and noted the effective use of the song "" from (1940) in the trailer. Scott Mendelson of felt the trailer was "such a textbook 'dark sequel' trailer that it borders on parody" but said, "it's a pretty spectacular piece of marketing, one that elevates itself both by the music choices and by James Spader's vocals as the title villain". The trailer received 34.3 million global , 26.2 million from Marvel's YouTube channel, which broke the previous record held by Iron Man 3 with 23.14 million views. In comparison, the original Avengers teaser received 20.4 million views in 24 hours after its debut. In response, Marvel agreed to air footage from Age of Ultron during the episode of Agents of S.H.I.E.L.D. that was originally scheduled to premiere the trailer. At the end of October, Marvel Comic's Editor-in-Chief stated there were comic tie-in plans for the film.

In November 2014, ABC aired another one-hour television special titled , which featured behind the scenes footage of Age of Ultron. Also in November, an extended trailer debuted on 's YouTube channel, featuring product placement for various Samsung devices. In December 2014, additional behind the scenes footage was released as a special feature on the Guardians of the Galaxy Blu-ray, highlighting the various filming locations for the film. Also in the month, ABC announced that an episode of Marvel's Agents of S.H.I.E.L.D. would tie-in to the events of the film. The episodes "" and "" feature "Easter eggs, plot threads and other connective tissue leading into the opening scene of Avengers: Age of Ultron" while "" explores the aftermath of the film.

In January 2015, a featurette focusing on Ultron was shown at 's "Night With Marvel" event at the 2015 (CES). Also at CES, Samsung revealed a selection of hardware inspired by the Avengers films, as well as a simulation of Avengers Tower via its device. A second trailer premiered on on January 12, 2015 during the broadcast of the . Mendelson enjoyed the trailer, but wished it did not reveal as many story elements as it did. However, he added, "the marketing thus far [for the film] has been far superior to much of what sold The Avengers three years ago, both in terms of the specific footage and the artistic choices being made… I'm sold, and I imagine most of the general moviegoers are already onboard too."

On February 3, 2014, Marvel "stealth released" a digital-only , Avengers: Age of Ultron Prelude—This Scepter'd Isle. Written by Will Corona Pilgrim and illustrated by Wellinton Alves, it reveals how Strucker came into possession of Loki's scepter and the origin of the Maximoff twins' abilities. At the end of the month, the film's official poster was revealed. Graeme McMillian of The Hollywood Reporter criticized it for its lack of originality, calling it "pretty much the poster for the first Avengers movie, except with added flying robots in the background" and the fact that it incorporated many of the same tropes the other MCU Phase Two film posters did. These included: the hero(es) staring off camera; destruction in the background as well as something occurring in the sky; and poor on the poster, highlighting the fact that each of the actors were obviously photographed separately and were later composited together into the poster. Mendelson agreed with many of McMillian's observations, and called the poster "hilariously photoshopped".

The final trailer was "unlocked" by fans on March 4, 2015, via the use of hashtags on Twitter, ahead of its broadcast debut during the series premiere of on March 5. Mendelson felt "this [was] a fine final trailer, teasing what we already know, hinting at the scale and a few new action beats without telling us much we don't already know" adding, "Here we have the fourth and final Avengers: Age of Ultron trailer and we don't know all that much about what transpires in a moment-to-moment sense in the finished 150-minute feature. I have expressed my concern dating back to October that Marvel and Disney would release too many trailers and would by default give away too much plot and character information between October and May. But if this really is the final Avengers 2 trailer, then at least on the trailer front they have kept the film relatively unspoiled." A week after the final trailer debuted, Marvel revealed that the trailer had "smashed records" with over 35 million views.

In April 2015, members of the cast presented Downey with the MTV Generation Award at the , along with debuting an exclusive clip from the film. On April 27, Downey and Renner along with executives from Marvel Entertainment rang the opening bell of the in celebration of the film's theatrical release. Disney spent a total of .9 million on television advertisements for the film, from an estimated total marketing budget of 0 million.

Merchandise

In January 2015, and announced a of the first film and Age of Ultron for release in late 2015 on a variety of video game consoles. In March 2015, Disney said it planned to broaden its merchandising strategy with Avengers: Age of Ultron by expanding the target demographics to women and to fans of the individual superheroes that make up the Avengers. Paul Gitter, senior vice president of Marvel licensing for , said, "For the first film, we primarily focused on the Avengers property and the group shots… Now we're broadening the line and scope to create skews that focus on the team and the individuals characters, as well." Disney Consumer Products partnered with , , and for action figures, playsets and other toys, and with for apparel. Disney established new partnerships in the food and packaged-goods categories, including with , , Crunchpak and .'s consumer products partnered with 50 brands to promote the film in India, considered the highest ever for any film—Hollywood or Bollywood—released in India (the previous record held by had 25 partners). Some of the brands include , toy retailer India, online fashion store , , , , , and restaurants among others.

Home media

Avengers: Age of Ultron was released by on on September 8, 2015 and on and on October 2, 2015. The digital and Blu-ray releases include behind-the-scenes featurettes, audio commentary, deleted scenes and a blooper reel. The film was also collected in a 13-disc , titled "", which includes all of the films in the Marvel Cinematic Universe. It was released on December 8, 2015. In July 2015, Whedon stated that he did not intend on releasing a of Avengers: Age of Ultron because despite the film's complexity, he was satisfied with the theatrical version and did not think it needed to be tweaked. Walt Disney Studios Home Entertainment will release the film on on August 14, 2018.

Reception

Box office

Avengers: Age of Ultron grossed 9 million in the United States and Canada and 6.4 million in other territories for a worldwide total of .405 billion. It became the worldwide and the fourth-highest-grossing .Avengers: Age of Ultron's worldwide opening of 2.5 million was the . The film set a worldwide IMAX opening-weekend record with .2 million (previously held by ) and also broke the record for the fastest movie to make over million in IMAX theaters, doing so in 12 days. According to some analysts, the opening weekend box office gross was lower than expected because of the weekend's featured between and . calculated the net profit of the film to be 2.32 million, when factoring together "production budgets, P&A, talent participations and other costs, with box office grosses, and ancillary revenues from VOD to DVD and TV," placing it fourth on their list of 2015's "Most Valuable Blockbusters".

On May 15, 2015, Avengers: Age of Ultron became the twenty-first film in cinematic history, the third Marvel Studios film and the eighth film distributed by to cross the billion threshold at the box office.

United States and Canada

Avengers: Age of Ultron earned .46 million on its opening day, marking the biggest opening day for a superhero film and the second-biggest opening and second-biggest single-day gross, behind (.7 million). The film's Friday gross included .6 million from Thursday night, which began at 7 p.m., and was the sixth-highest ever for Thursday preview earnings and the highest among Marvel films. The film totaled 1.3 million in its opening weekend, the third-highest gross behind (8.8 million) and The Avengers (7.4 million). It also saw the second-highest IMAX opening weekend total with million (behind The Dark Knight Rises), a record .5 million from premium large format theaters and the highest share for the first weekend in May, accounting for 85% of the top twelve box office total earnings (previously held by ). Of those in attendance the first weekend, 59% were male, 41% were female and 59% were over the age of 25.

In its , the film fell 59%, earning .7 million, which was the second-biggest second weekend gross behind The Avengers' 3 million (both were surpassed a month later by Jurassic World's 6.6 million). It holds the record for the second-biggest loss between first and second weekends with 3.6 million, only behind Deathly Hallows – Part 2's 1 million loss between its first and second weekends in 2011. It became the third-highest-grossing film of 2015.

Outside territories

Avengers: Age of Ultron earned 0.2 million in its first weekend from 44 countries, opening in first in all, which was 44% above its predecessor's opening. Additionally, the film saw the largest non-China international IMAX opening with .4 million. The top earning countries were South Korea (.2 million), the UK (.3 million) and Russia (.2 million). The film broke records in many countries, including: opening-day records in Mexico (.8 million), the Philippines (.6 million), and Indonesia (0,000); opening-weekend records in Mexico (.5 million), Russia and the CIS (.2 million), Hong Kong (.4 million), and the Philippines (.7 million); and highest opening weekend for a superhero film in the UK, Ireland and Malta (.3 million), Germany (.3 million), Sweden, Norway, and the Netherlands.

In the UK, where Age of Ultron was filmed, it earned .4 million on its opening day and .3 million during the weekend, setting an opening-weekend record for a superhero film, Marvel's biggest opening in Britain, the biggest April opening, the eighth-biggest debut. It also set the best single-day earning for a Disney and superhero film with its .4 million haul on Saturday. In South Korea, also where part of the film was shot, the film earned .9 million on its opening day and .2 through the weekend. It held the record for advance-ticket sales rate, accounting for 96% of tickets reserved, breaking 's record of 94.6% in 2011, the widest release ever, across 1,826 screens, also breaking Dark of the Moon's 1,420 screens, and the fastest imported film to surpass one million admissions, doing so in two days; it topped the box office for three consecutive weekends, and became the biggest Disney/Marvel release as well as the second-biggest Western film in the country. The Chinese opening scored the biggest weekday opening day, as well as the biggest Disney/Marvel opening, with .9 million, and the second-biggest six-day start with 6.3 million (behind ) of which .5 million came from IMAX theaters—the biggest ever.Age of Ultron also opened at number one in Japan in early July 2015 with .5 million, the highest opening weekend for an MCU release. As of January 3, 2016, it is the seventh-highest-grossing film, and the fourth-highest-grossing 2015 film. Its largest markets were China (0.1 million), South Korea ( million), and the UK, Ireland and Malta (.6 million).

Critical response

The website reported a 75% approval rating based on 331 reviews, with an average rating of 6.7/10. The website's critical consensus reads, "Exuberant and eye-popping, Avengers: Age of Ultron serves as an overstuffed but mostly satisfying sequel, reuniting its predecessor's unwieldy cast with a few new additions and a worthy foe." On , the film achieved an average score of 66 out of 100, based on 49 critics, signifying "generally favorable reviews". reported that audiences gave the film an "A" grade on an A+ to F scale, while reported filmgoers gave it an overall positive score of 90% and a 79% recommend.

of said, "Avengers: Age of Ultron succeeds in the top priority of creating a worthy opponent for its superheroes and giving the latter a few new things to do, but this time the action scenes don't always measure up." Scott Foundas of wrote, "If this is what the of branded, big-studio entertainment has come to look like in 2015, we could be doing much worse. Unlike its title character, Age of Ultron most definitely has soul." Writing for the and giving the film three-and-a-half out of four stars, said, "Some day, an Avengers film might collapse under the weight of its own awesomeness. I mean, how many times can they save the world? But this is not that day." of wrote, "Age of Ultron is a whole summer of fireworks packed into one movie. It doesn't just go to 11, it starts there. [Joss Whedon] takes a few wrong turns, creating a jumble when the action gets too thick. But he recovers like a pro, devising a spectacle that's epic in every sense of the word." of gave the film three out of four stars, stating that despite being "bigger, louder and more disjointed" than its predecessor, "it’s also got more personality—specifically Whedon's—than any other film in the now seven-year-old franchise." Helen O'Hara of praised the interactions between the characters, the action set-pieces and Whedon's ability as a director in her review, stating that the film "redefines the scale we can expect from our superheroes."

Conversely, of the said, "Although this movie is effective moment to moment, very little of it lingers in the mind afterward. The ideal vehicle for our age of immediate sensation and instant gratification, it disappears without a trace almost as soon as it's consumed." Scott Mendelson of said, "Avengers: Age of Ultron plays like an obligation, a box to be checked off on a list before all parties move onto the things they really want to do." of wrote, "This Avengers doesn't always pop the way that the first one sometimes did, partly because its villain isn't as memorable, despite Mr. Spader's silky threat." of remarked, "Two hours of boredom and boobs add up to a sorry basis for the new Avengers." Much like the release of Guardians of the Galaxy, the film received mixed reviews upon release in China, due to poor translations. The translations, which were said to be too literal, were thought "to have been done by ."

Accolades

In December 2015, the placed Avengers: Age of Ultron on their shortlist of potential nominees for the at the , but ultimately did not nominate it for the award.

Year Award / Film Festival Category Recipient(s) Result Ref(s) 2015 Avengers: Age of Ultron Nominated Nominated Nominated Nominated Won Choice Movie: Breakout Star Nominated Christopher Townsend, Ryan Stafford, Paul Butterworth and Matt Estela Nominated 2016 Favorite Movie Avengers: Age of Ultron Nominated Favorite Action Movie Nominated Favorite Movie Actor Nominated Favorite Movie Actress Nominated Favorite Action Movie Actor Nominated Won Favorite Action Movie Actress Nominated Outstanding Achievement, Animated Effects in a Live Action Production Michael Balog, Jim Van Allen, Florent Andorra, , for Sokovia's destruction Won Outstanding Achievement, Character Animation in a Live Action Production Jakub Pistecky, Gang Trinh, Craig Penn, Mickael Coedel, Yair Gutierrez, for the Hulk Nominated Peter Tan, Boonyiki Lim, Sachio Nishiyama, Byounghee Cho, Roy Tan, for Ultron Nominated Outstanding Animated Performance in a Photoreal Feature Jakub Pistecky, Lana Lan, John Walker, Sean Comer Nominated Outstanding Effects Simulations in a Photoreal Feature Michael Balog, Jim Van Allen, Florent Andorra, Georg Kaltenbrunner Nominated Outstanding Models in a Photoreal or Animated Project , Robert Marinic, Daniel Gonzalez, Myriam Catrin, for Hulkbuster Nominated Favorite Movie Avengers: Age of Ultron Nominated Favorite Movie Actor Nominated Nominated Nominated Favorite Movie Actress Nominated Avengers: Age of Ultron Nominated Nominated Won , Chris Townsend, , Paul Butterworth Nominated Avengers: Age of Ultron Nominated Nominated Nominated Best Virtual Performance Nominated Ensemble Cast Avengers: Age of Ultron Nominated vs. Nominated Avengers: Age of Ultron Nominated

Sequels

Main articles: and

Avengers: Infinity War and an untitled sequel were directed by , from a script by .Infinity War was released on April 27, 2018, with the sequel scheduled for May 3, 2019. Much of the cast returns for Infinity War with additional cast and characters joining from other MCU films.

Notes

  1. While the name of the anti-Hulk armor, usually referred to as the "" in comic books, is not spoken in the film, its deployment system and containment cell are code-named "Veronica". Director Joss Whedon said the name alludes to the character from : "I just decided to call it Veronica because [Bruce Banner] used to be in love with a girl named and Veronica is the opposite of that," making the connection to 's love interest, .
  2. According to Kevin Feige, the Infinity Gauntlet seen at the end of the film is not the same as the one seen in 's vault in in , revealing that two Gauntlets exist in the MCU. The Asgard Gauntlet is revealed to be a fake in .

References

  1. ^ (PDF) (Report). FilmL.A. Inc. p. 21. Retrieved November 19, 2017. 
  2. ^ . . Retrieved November 11, 2015. 
  3. Cavanaugh, Patrick (January 12, 2015). . . from the original on January 16, 2015. Get even more of Iron Man's Hulkbuster armor in action.... 
  4. ^ Burlingame, Russ (April 11, 2015). . Comicbook.com. from the original on May 4, 2015. Retrieved May 4, 2015. 
  5. Eisenberg, Eric (May 1, 2015). . Cinema Blend. from the original on May 1, 2015. Retrieved May 1, 2015. I asked if the presence of the Infinity Gauntlet in the mid-credits sequence was a rewrite in continuity or something else entirely, and he explained that nothing is being overwritten. Or as he put it, There are two different gloves. That was not Odin's vault that you see at the end. When you think about it, this really does make all kinds of sense. After all, the idea of forging just one cosmic artifact glove is kind of silly when most have two hands, right? So there is a degree of sense in Thanos having his own gauntlet while its double continues to rest on Asgard. 
  6. Sciretta, Peter (November 6, 2017). . . from the original on December 1, 2017. Retrieved December 1, 2017. 
  7. ^ Wigler, Josh (September 6, 2013). . . from the original on September 17, 2013. Retrieved September 7, 2013. 
  8. Tilly, Chris (July 16, 2014). . . from the original on July 16, 2014. Retrieved July 16, 2014. 
  9. ^ Dibdin, Emma (January 31, 2015). . . from the original on January 31, 2015. Retrieved January 31, 2015. 
  10. ^ . . June 20, 2013. from the original on June 20, 2013. Retrieved June 20, 2013. 
  11. Keyes, Rob (October 28, 2014). . Screen Rant. from the original on October 29, 2014. Retrieved October 28, 2014. 
  12. ^ Malec, Brett; Malkin, Marc (September 9, 2013). . . from the original on September 17, 2013. Retrieved September 10, 2013. 
  13. Cornet, Roth (February 27, 2015). . . from the original on February 27, 2015. Retrieved February 27, 2015. 
  14. ^ Vary, Adam (October 27, 2014). . . from the original on October 27, 2014. Retrieved October 27, 2014. 
  15. ^ (March 6, 2013). . . from the original on June 20, 2013. Retrieved March 11, 2013. 
  16. Cohen, David S. (June 27, 2014). . . from the original on June 27, 2014. Retrieved June 27, 2014. 
  17. Risley, Matt (June 5, 2014). . . from the original on June 5, 2014. Retrieved June 5, 2014. 
  18. Breznican, Anthony (July 21, 2014). . . from the original on July 22, 2014. Retrieved July 21, 2014. 
  19. ^ Cornet, Roth (October 28, 2014). . . from the original on November 3, 2014. Retrieved November 3, 2014. 
  20. ^ Weintraub, Steve (December 17, 2014). . Collider.com. from the original on December 17, 2014. Retrieved December 17, 2014. 
  21. ^ Flemming, Jr., Mike (August 1, 2013). . . from the original on August 6, 2013. 
  22. Weintraub, Kit (August 10, 2013). . Collider.com. from the original on September 17, 2013. Retrieved August 25, 2013. 
  23. Nepales, Reuben P. (April 4, 2014). . . from the original on April 4, 2014. Retrieved April 4, 2014. 
  24. ^ Davis, Erick (March 3, 2015). . . from the original on March 3, 2015. Retrieved March 3, 2015. 
  25. ^ Maresca, Rachel (September 29, 2013). . . from the original on September 29, 2013. Retrieved September 29, 2013. 
  26. Couto, Anthony (February 12, 2014). . . from the original on February 13, 2014. Retrieved February 13, 2014. 
  27. Johannson, Scarlett (March 19, 2014). (video). . Retrieved March 20, 2014. 
  28. Cornet, Roth (July 17, 2014). . . from the original on July 18, 2014. Retrieved July 17, 2014. 
  29. Breznican, Anthony (July 18, 2014). . . from the original on July 19, 2014. Retrieved July 18, 2014. 
  30. ^ Weintraub, Steve (December 18, 2013). . Collider.com. from the original on March 28, 2014. Retrieved March 28, 2014. 
  31. White, Brett (July 25, 2013). . . from the original on August 6, 2013. Retrieved July 25, 2013. 
  32. ^ Thompson, Arienne (December 12, 2013). . . from the original on December 12, 2013. Retrieved December 12, 2013. 
  33. ^ . Stitch Kingdom. February 3, 2015. from the original on February 3, 2015. Retrieved February 4, 2015. 
  34. ^ . . November 25, 2013. from the original on April 15, 2014. Retrieved November 25, 2013. 
  35. . . August 1, 2013. from the original on October 30, 2013. Retrieved October 30, 2013. 
  36. Nicholson, Max (July 22, 2014). . . from the original on July 22, 2014. Retrieved July 22, 2014. 
  37. ^ Vary, Adam (March 27, 2015). . . from the original on March 27, 2015. Retrieved March 27, 2015. 
  38. ^ Breznican, Anthony (July 16, 2014). . . from the original on July 17, 2014. Retrieved July 16, 2014. 
  39. Nicholson, Max; Cornet, Roth (March 30, 2015). . . from the original on March 31, 2015. Retrieved March 31, 2015. 
  40. White, Brett (January 27, 2015). . . from the original on February 8, 2015. Retrieved February 8, 2015. 
  41. Ritman, Alex (December 16, 2014). . . from the original on December 16, 2014. Retrieved December 16, 2014. 
  42. ^ Kroll, Justin (February 6, 2014). . . from the original on February 7, 2014. Retrieved February 7, 2014. 
  43. ^ . Screen Rant. April 9, 2014. from the original on April 9, 2015. Retrieved April 9, 2015. 
  44. ^ Starnes, Joshua (July 26, 2014). . . from the original on July 28, 2014. Retrieved July 28, 2014. 
  45. Nazzaro, Joe (August 6, 2015). . Make-Up Artist Magazine. from the original on September 6, 2015. Retrieved August 8, 2015. 
  46. ^ Goldman, Eric (January 21, 2014). . . from the original on March 10, 2014. Retrieved March 10, 2014. 
  47. Graser, Marc (October 29, 2012). . . from the original on October 29, 2012. Retrieved October 29, 2012. 
  48. . . July 26, 2014. Archived from on September 16, 2014. Retrieved September 16, 2014. 
  49. Towers, Andrea (December 15, 2014). . . from the original on December 16, 2014. Retrieved December 16, 2014. 
  50. ^ Lussier, Germain (February 24, 2015). . . from the original on February 24, 2015. Retrieved February 24, 2015. 
  51. Ching, Albert (March 29, 2015). . . from the original on March 30, 2015. Retrieved March 30, 2015. 
  52. Lussier, Germain (July 20, 2015). . . from the original on July 21, 2015. Retrieved July 21, 2015. 
  53. Goldman, Eric (March 8, 2016). . . from the original on March 10, 2016. Retrieved March 10, 2016. 
  54. ^ Orange, Alan (July 21, 2014). . . from the original on February 5, 2016. Retrieved February 5, 2016. 
  55. ^ McLean, Craig (November 2, 2014). . . from the original on November 2, 2014. Retrieved November 2, 2014. 
  56. ^ . . August 16, 2014. from the original on August 16, 2014. Retrieved August 16, 2014. 
  57. Lee, Ben (November 16, 2015). . . from the original on December 1, 2015. Retrieved November 30, 2015. 
  58. ^ . . August 29, 2013. from the original on September 17, 2013. Retrieved August 30, 2013. 
  59. Breznican, Anthony (August 29, 2013). . . from the original on September 17, 2013. Retrieved August 29, 2013. 
  60. Breznican, Anthony (July 16, 2014). . . from the original on July 17, 2014. Retrieved July 16, 2014. 
  61. ^ . . April 3, 2015. Archived from on April 4, 2015. Retrieved April 4, 2015. 
  62. Breznican, Anthony (April 8, 2015). . . from the original on April 9, 2015. Retrieved April 9, 2015. 
  63. Cink, Lorraine (September 11, 2013). . . Event occurs at 0:53. Retrieved September 11, 2013. 
  64. Ryan, Mike (October 21, 2013). . . from the original on October 21, 2013. Retrieved October 21, 2013. 
  65. McMillan, Graeme (September 30, 2013). . . from the original on October 21, 2013. Retrieved October 21, 2013. 
  66. . . August 21, 2013. from the original on September 17, 2013. Retrieved August 21, 2013. 
  67. ^ de Semlyen, Phil (April 24, 2014). . . from the original on April 24, 2014. Retrieved April 24, 2014. 
  68. . . December 22, 2014. from the original on February 26, 2015. Retrieved February 26, 2015. 
  69. Rivera, Joshua (July 26, 2014). . . from the original on July 28, 2014. Retrieved July 28, 2014. 
  70. ^ Truitt, Brian (August 18, 2013). . . from the original on August 18, 2013. Retrieved August 18, 2013. 
  71. Butler, Tom (March 26, 2014). . . from the original on March 26, 2014. Retrieved March 26, 2014. 
  72. ^ Kit, Borys (January 15, 2014). . . from the original on January 15, 2014. Retrieved January 15, 2014. 
  73. Collinson, Gary (April 26, 2015). . Flickering Myth. from the original on April 26, 2015. Retrieved April 27, 2015. 
  74. ^ Breznican, Anthony (April 7, 2015). . . from the original on April 7, 2015. Retrieved April 7, 2015. 
  75. Rosenberg, Alyssa (May 6, 2015). . . from the original on May 7, 2015. Retrieved May 7, 2015. 
  76. ^ Keyes, Rob (April 3, 2015). . Screen Rant. from the original on April 6, 2015. Retrieved April 3, 2015. 
  77. Stern, Marlow (July 14, 2014). . . from the original on July 14, 2014. Retrieved July 14, 2014. 
  78. ^ Outlaw, Kofi (April 2, 2015). . Screen Rant. from the original on April 4, 2015. Retrieved April 3, 2015. 
  79. . . April 23, 2015. from the original on May 3, 2015. Retrieved April 26, 2015. 
  80. Cox, Danny (May 7, 2015). . . from the original on May 6, 2016. Retrieved May 6, 2016. 
  81. Owen, Luke (April 21, 2015). Flickering Myth. from the original on July 6, 2015. Retrieved April 25, 2015. 
  82. Leston, Ryan (July 13, 2014). . . Archived from on August 12, 2014. Retrieved July 13, 2014. 
  83. ^ Wigler, Josh; Horowitz, Josh (May 1, 2015). . . from the original on May 1, 2015. Retrieved May 1, 2015. 
  84. Raux-Moreau, Raphaëlle (January 24, 2014). . . from the original on January 24, 2014. Retrieved January 24, 2014. 
  85. Szalai, Georg (October 15, 2011). . . from the original on October 17, 2011. Retrieved October 17, 2011. 
  86. . citing SFX #220 (May 2012). March 8, 2012. from the original on April 13, 2012. Retrieved March 8, 2012. 
  87. Vary, Adam (April 20, 2015). . . from the original on April 21, 2015. Retrieved April 21, 2015. 
  88. Weintraub, Steve (April 12, 2012). . Collider.com. from the original on April 13, 2012. 
  89. Lieberman, David (May 8, 2012). . . from the original on May 8, 2012. 
  90. Dickey, Josh L. (May 8, 2012). . . from the original on May 2, 2013. Retrieved May 2, 2013. 
  91. . . July 13, 2012. from the original on June 20, 2013. Retrieved July 19, 2012. 
  92. Graser, Marc (August 7, 2012). . . from the original on August 7, 2012. Retrieved August 7, 2012. 
  93. Kit, Borys (August 16, 2012). . . from the original on August 16, 2012. Retrieved August 16, 2012. 
  94. Topel, Fred (September 12, 2012). . . from the original on September 13, 2012. Retrieved September 12, 2012. 
  95. Hodgson, Jeffrey (September 10, 2012). . . from the original on September 13, 2012. Retrieved September 12, 2012. 
  96. Jensen, Jeff (December 4, 2012). . . from the original on December 5, 2012. Retrieved December 5, 2012. 
  97. Whedon, Joss (February 23, 2013). (video). Dublin: . Event occurs at 7:35. Retrieved February 25, 2013. 
  98. Karmali, Luke (March 5, 2013). . . from the original on June 20, 2013. Retrieved March 5, 2013. 
  99. Wickman, Kase (April 12, 2015). . . from the original on April 13, 2015. Retrieved April 12, 2015. 
  100. Faraci, Devin (April 14, 2015). . Badass Digest. from the original on April 15, 2015. Retrieved April 14, 2015. 
  101. Gonzalez, Umberto (October 14, 2017). . . from the original on October 14, 2017. Retrieved October 14, 2017. 
  102. Wiseman, Andreas (April 2, 2013). . . from the original on April 2, 2013. Retrieved April 2, 2013. 
  103. Deming, Mark (April 25, 2013). . . from the original on April 25, 2013. Retrieved April 25, 2013. 
  104. . . May 1, 2013. from the original on May 1, 2013. Retrieved May 1, 2013. 
  105. Goldman, Eric (May 17, 2013). . . from the original on May 17, 2013. Retrieved May 17, 2013. 
  106. "Episode of May 25, 2015". . May 2015. . 
  107. Kit, Borys (May 7, 2013). . . from the original on May 17, 2013. Retrieved May 8, 2013. 
  108. . . July 20, 2013. from the original on August 6, 2013. Retrieved July 21, 2013. 
  109. Plumb, Ali (July 23, 2013). . . from the original on August 6, 2013. Retrieved July 23, 2013. 
  110. Hewitt, Chris (February 20, 2015). . . from the original on February 20, 2015. Retrieved February 20, 2015. 
  111. Ditzian, Eric (July 21, 2013). . . from the original on July 22, 2013. Retrieved July 22, 2013. 
  112. Marvel Entertainment (July 21, 2013). . . Retrieved July 22, 2013. 
  113. Nicholson, Matt (August 5, 2013). . . from the original on August 6, 2013. Retrieved August 5, 2013. 
  114. Outlaw, Kofi (November 11, 2013). . Screen Rant. from the original on November 19, 2013. Retrieved November 11, 2013. 
  115. Kroll, Justin (June 7, 2013). . . from the original on June 20, 2013. Retrieved June 7, 2013. 
  116. Chitwood, Adam (July 29, 2013). . Collider.com. from the original on August 6, 2013. Retrieved July 30, 2013. 
  117. Sneider, Jeff (October 30, 2013). . . from the original on April 15, 2014. Retrieved October 30, 2013. 
  118. Kit, Borys (August 22, 2013). . . from the original on September 17, 2013. Retrieved August 22, 2013. 
  119. Cheney, Alexandra (October 3, 2013). . . from the original on April 15, 2014. Retrieved October 3, 2013. 
  120. ^ Kim, Ji-soo (March 5, 2014). . . from the original on March 5, 2014. Retrieved March 6, 2014. 
  121. ^ Ritman, Alex (March 4, 2015). . . from the original on March 5, 2015. Retrieved March 4, 2015. 
  122. Vejvoda, Jim (January 24, 2014). . . from the original on March 24, 2014. Retrieved January 25, 2014. 
  123. ^ . Channel 24. February 1, 2014. from the original on April 15, 2014. Retrieved February 1, 2014. 
  124. . . February 18, 2014. from the original on February 19, 2014. Retrieved February 18, 2014. 
  125. Cox, Anna (February 10, 2014). . . from the original on February 11, 2014. Retrieved February 11, 2014. 
  126. Silman, Anna (March 18, 2014). . . from the original on March 18, 2014. Retrieved March 18, 2014. 
  127. Larson, Jared (March 11, 2014). . . from the original on March 11, 2014. Retrieved March 11, 2014. 
  128. Lee, Hyo-won (March 14, 2014). . . from the original on March 14, 2014. Retrieved March 14, 2014. 
  129. Bord, Christine (February 11, 2014). . On Location Vacations. from the original on March 2, 2014. Retrieved October 19, 2016 – via (in Italian). 
  130. ^ White, Brett (March 25, 2015). . . from the original on March 26, 2015. Retrieved March 25, 2015. 
  131. Riccio, Massimiliano (March 22, 2014). [The Avengers 2, the first shots in Bard. In the Valley there are already Hawkeye, Scarlet Witch and Quicksilver] (in Italian). aostasera.it. from the original on March 22, 2014. Retrieved March 22, 2014. 
  132. Kim, Da-ye (March 30, 2014). . . from the original on April 8, 2014. Retrieved March 30, 2014. 
  133. ^ . . March 19, 2014. from the original on March 22, 2014. Retrieved March 19, 2014. 
  134. Lee, Sun-young (March 30, 2014). . . from the original on April 27, 2014. Retrieved April 27, 2014. 
  135. Garland, Natalie (April 9, 2014). . Get Hampshire. Archived from on April 9, 2014. Retrieved April 9, 2014. 
  136. Reyes, Mike (June 15, 2014). . CinemaBlend.com. from the original on June 15, 2014. Retrieved June 15, 2014. 
  137. Hayes, Phil (June 17, 2014). . Dover Express. Archived from on June 17, 2014. Retrieved June 18, 2014. 
  138. . Kent Film Office. April 20, 2015. from the original on October 8, 2015. Retrieved October 8, 2015. 
  139. Couto, Anthony (October 29, 2014). . . from the original on October 30, 2014. Retrieved October 29, 2014. 
  140. Conaway, Cameron (February 6, 2015). . . from the original on February 7, 2015. Retrieved February 6, 2015. 
  141. Keyes, Rob (November 27, 2013). . Screen Rant. from the original on November 27, 2013. Retrieved November 27, 2013. 
  142. ^ , , Jeremy Latcham (2014). Exclusive look at Marvel's Avengers: Age of Ultron. Guardians of the Galaxy Blu-ray: . 
  143. Sylt, Christian (November 13, 2014). . . from the original on May 4, 2015. Retrieved April 26, 2015. 
  144. Bonomolo, Cameron (May 7, 2018). . Comicbook.com. from the original on May 7, 2018. 
  145. Marchant, Beth (May 18, 2015). . . from the original on May 21, 2015. Retrieved May 21, 2015. 
  146. ^ . . Archived from on May 12, 2015. Retrieved May 12, 2015. 
  147. ^ . . Archived from on July 16, 2015. Retrieved June 8, 2014. 
  148. Plumb, Ali (October 5, 2015). . . from the original on October 7, 2015. Retrieved October 7, 2015. 
  149. Chitwood, Adam (December 29, 2014). . Collider.com. from the original on December 30, 2014. Retrieved December 29, 2014. 
  150. Bamigboye, Baz (November 27, 2014). . . UK. from the original on November 28, 2014. Retrieved November 28, 2014. 
  151. ^ Gajewski, Ryan (May 5, 2015). . . from the original on May 5, 2015. Retrieved May 5, 2015. 
  152. (May 1, 2015). (Podcast). . Event occurs at ???. Retrieved June 21, 2015. 
  153. Chitwood, Adam (May 5, 2015). . . from the original on June 21, 2015. Retrieved May 15, 2015. 
  154. Tach, David (May 11, 2015). . . from the original on July 6, 2015. Retrieved May 15, 2015. 
  155. Giardina, Carolyn (October 18, 2014). . . from the original on October 20, 2014. Retrieved October 20, 2014. 
  156. ^ Failes, Ian (May 4, 2015). . Fxguide. from the original on May 12, 2015. Retrieved May 12, 2015. 
  157. Cohen, David (February 11, 2014). . . from the original on February 12, 2014. Retrieved February 11, 2014. 
  158. Ashurst, Sam (October 16, 2014). . . from the original on October 16, 2014. Retrieved October 16, 2014. 
  159. Keyes, Rob (September 9, 2015). . Screen Rant. from the original on September 10, 2015. Retrieved September 10, 2015. 
  160. . Perception. from the original on October 8, 2015. Retrieved October 8, 2015. 
  161. . Film Music Reporter. March 19, 2014. from the original on March 19, 2014. Retrieved March 19, 2014. 
  162. Graser, Marc (July 24, 2014). . . from the original on July 25, 2014. Retrieved July 24, 2014. 
  163. . Film Music Reporter. February 24, 2015. from the original on February 24, 2015. Retrieved February 24, 2015. 
  164. (March 12, 2015). . . Event occurs at 0:09:13. Archived from on March 13, 2015. Retrieved March 13, 2015. 
  165. . . April 15, 2015. from the original on April 15, 2015. Retrieved April 15, 2015. 
  166. Breznican, Anthony (April 2, 2015). . . from the original on April 2, 2015. Retrieved April 2, 2015. 
  167. . . April 10, 2015. from the original on April 10, 2015. Retrieved April 10, 2015. 
  168. . . April 21, 2015. from the original on April 21, 2015. Retrieved April 21, 2015. 
  169. ^ Kozlov, Vladimir (January 30, 2015). . . from the original on February 21, 2015. Retrieved February 21, 2015. 
  170. ^ Tartaglione, Natalie (April 27, 2015). . . from the original on May 4, 2015. Retrieved April 27, 2015. 
  171. Amos, Jim (September 28, 2014). . Archived from on October 24, 2014. Retrieved October 24, 2014. 
  172. . ComingSoon.net. March 20, 2014. from the original on March 20, 2014. Retrieved March 20, 2014. 
  173. D'Alessandro, Anthony (April 28, 2015). . . from the original on May 4, 2015. Retrieved April 29, 2015. 
  174. Barraclough, Leo (April 27, 2015). . . from the original on May 4, 2015. Retrieved May 4, 2015. 
  175. Graser, Marc (September 17, 2014). . . from the original on September 18, 2014. Retrieved September 17, 2014. 
  176. McNary, Dave (March 4, 2015). . . from the original on March 5, 2015. Retrieved March 4, 2015. 
  177. Sullivan, Kevin P. (July 21, 2013). . . from the original on March 28, 2014. Retrieved March 28, 2014. 
  178. Burlingame, Russ (September 25, 2013). . Comicbook.com. Retrieved September 26, 2013. 
  179. Sampson, Mike (September 26, 2013). . ScreenCrush. from the original on April 15, 2014. Retrieved September 28, 2013. 
  180. Hibberd, James (February 27, 2014). . . from the original on February 27, 2014. Retrieved February 27, 2014. 
  181. Keyes, Rob (March 18, 2014). . Screen Rant. from the original on March 19, 2014. Retrieved March 18, 2014. 
  182. White, Brett (March 25, 2015). . . from the original on March 26, 2015. Retrieved March 25, 2015. 
  183. Campbell, Evan (June 23, 2014). . . from the original on June 23, 2014. Retrieved June 23, 2014. 
  184. Siegel, Lucas (July 26, 2014). . . from the original on July 27, 2014. Retrieved July 26, 2014. 
  185. Graser, Marc (July 27, 2014). . . from the original on July 28, 2014. Retrieved July 28, 2014. 
  186. ^ Rivera, Joshua (October 22, 2014). . . from the original on October 23, 2014. Retrieved October 23, 2014. 
  187. ^ McMillian, Graeme (October 22, 2014). . . from the original on October 23, 2014. Retrieved October 23, 2014. 
  188. ^ Mendelson, Scott (October 22, 2014). . . from the original on October 23, 2014. Retrieved October 23, 2014. 
  189. Couch, Aaron (October 21, 2014). . . from the original on October 22, 2014. Retrieved October 21, 2014. 
  190. Couch, Aaron (October 22, 2014). . . from the original on October 23, 2014. Retrieved October 22, 2014. 
  191. Murray, Warren (October 22, 2014). . . from the original on October 23, 2014. Retrieved October 22, 2014. 
  192. ^ Penagos, Ryan (October 24, 2014). . . from the original on October 24, 2014. Retrieved October 24, 2014. 
  193. Breznican, Anthony (October 24, 2014). . . from the original on October 24, 2014. Retrieved October 24, 2014. 
  194. Alonso, Axel; Ching, Albert (October 31, 2014). . . from the original on November 4, 2014. Retrieved November 4, 2014. 
  195. Goldman, Eric (November 4, 2014). . . from the original on November 5, 2014. Retrieved November 4, 2014. 
  196. Trenholm, Rich (November 13, 2014). . . from the original on November 14, 2014. Retrieved November 14, 2014. 
  197. . Stitch Kingdom. October 3, 2014. from the original on October 3, 2014. Retrieved October 3, 2014. 
  198. Abrams, Natalie (December 9, 2014). . . from the original on December 9, 2014. Retrieved December 9, 2014. 
  199. Truitt, Brian (April 20, 2015). . . from the original on April 21, 2015. Retrieved April 20, 2015. 
  200. Carle, Chris (January 7, 2015). . . from the original on January 8, 2015. Retrieved January 7, 2015. 
  201. O'Brien, Lucy (January 7, 2015). . . from the original on January 17, 2015. Retrieved January 17, 2015. 
  202. Silva, Marty (January 7, 2015). . . from the original on January 17, 2015. Retrieved January 17, 2015. 
  203. Arrant, Chris (January 2, 2015). . . from the original on January 2, 2015. Retrieved January 2, 2015. 
  204. Mendelson, Scott (January 12, 2015). . . from the original on January 13, 2015. Retrieved January 13, 2015. 
  205. Arrant, Chris (February 3, 2015). . . from the original on February 3, 2015. Retrieved February 4, 2015. 
  206. McMillian, Graeme (February 28, 2015). . . from the original on February 28, 2015. Retrieved February 28, 2015. 
  207. Mendelson, Scott (February 24, 2015). . . from the original on March 4, 2015. Retrieved March 4, 2015. 
  208. McMillian, Graeme (March 4, 2015). . . from the original on March 4, 2015. Retrieved March 4, 2015. 
  209. Mendelson, Scott (March 4, 2015). . . from the original on March 4, 2015. Retrieved March 4, 2015. 
  210. Sakoui, Anoushi; Palmeri, Christopher (March 9, 2015). . . from the original on March 10, 2015. Retrieved March 9, 2015. 
  211. Wigler, Josh (April 2, 2015). . . from the original on April 2, 2015. Retrieved April 2, 2015. 
  212. . . April 27, 2015. from the original on April 27, 2015. Retrieved April 27, 2015. 
  213. McClintock, Pamela (September 8, 2015). . . from the original on September 9, 2015. Retrieved September 9, 2015. 
  214. D'Alessandro, Anthony (May 6, 2016). . . from the original on May 7, 2016. Retrieved May 7, 2016. 
  215. Futter, Mike (January 29, 2015). . . . from the original on May 4, 2015. Retrieved May 4, 2015. 
  216. Graser, Marc (March 11, 2015). . . from the original on March 12, 2015. Retrieved March 11, 2015. 
  217. Bhushan, Nyay (April 21, 2015). . . from the original on May 4, 2015. Retrieved April 22, 2015. 
  218. . Stitch Kingdom. September 2, 2015. from the original on September 2, 2015. Retrieved September 2, 2015. 
  219. Goldberg, Matt (October 23, 2015). . . from the original on October 23, 2015. Retrieved October 23, 2015. 
  220. Radish, Christina (July 13, 2015). . Collider.com. from the original on July 21, 2015. Retrieved July 21, 2015. 
  221. Archer, John (July 11, 2018). . . from the original on July 12, 2018. Retrieved July 12, 2018. 
  222. . Box Office Mojo. Retrieved July 5, 2015. 
  223. . Box Office Mojo. Retrieved May 4, 2015. 
  224. ^ Tartaglione, Nancy; Busch, Anita (May 4, 2015). . . from the original on July 6, 2015. Retrieved May 4, 2015. 
  225. McClintock, Pamela (May 3, 2015). . . from the original on July 6, 2015. Retrieved July 5, 2015. 
  226. Fleming Jr., Mike (March 28, 2016). . . from the original on March 29, 2016. Retrieved March 29, 2016. 
  227. McClintock, Pamela (May 15, 2015). . . from the original on July 6, 2015. Retrieved May 15, 2015. 
  228. ^ D'Alessandro, Anthony (May 4, 2015). . . from the original on May 4, 2015. Retrieved May 4, 2015. 
  229. Mendelson, Scott (May 1, 2015). . . from the original on May 4, 2015. Retrieved May 1, 2015. 
  230. Simanton, Keith (June 14, 2015). . Box Office Mojo. from the original on July 6, 2015. Retrieved June 14, 2015. 
  231. D'Alessandro, Anthony (May 11, 2015). . . from the original on July 6, 2015. Retrieved May 12, 2015. 
  232. Mendelson, Scott (May 11, 2015). . . from the original on July 6, 2015. Retrieved May 12, 2015. 
  233. . Box Office Mojo. Retrieved July 5, 2015. 
  234. McClintock, Pamela (May 1, 2015). . . from the original on July 6, 2015. Retrieved May 2, 2015. 
  235. Taglione, Natalie; Busch, Anita (May 4, 2015). . . from the original on July 6, 2015. Retrieved July 6, 2015. 
  236. Papish, Jonathan (April 26, 2015). . . Archived from on July 6, 2015. Retrieved April 27, 2015. 
  237. ^ McNary, Dave (April 24, 2015). . . from the original on July 6, 2015. Retrieved April 25, 2015. 
  238. Ritman, Alex (April 27, 2015). . . from the original on July 6, 2015. Retrieved April 27, 2015. 
  239. Hyo-won, Lee (April 26, 2015). . . from the original on July 6, 2015. Retrieved July 6, 2015.



Похожие новости


Homemade christmas present costumes photos 2018
Friendship bracelets hearts 2018
Beautiful teal bedrooms 2018
Trendy clothes for men
Winter casual dresses 2018
Top 20 cropped capri pants styles 2018
Nathan lane timon photo
Alexander wang leaving balenciaga?




ШОКИРУЮЩИЕ НОВОСТИ